I acquired this particular piece of quarter cut oak timber about 40 years ago from a joiner’s shop in Brixton. I knew it was something special from the start but had no idea what I would use it for. About 40 inches long, it was covered in dust and dirt and has lived in the cellar, waiting for its turn to be called.
For years I’ve kept an eye on it but knew that it was much too good for just another cellar shelf for storing boxes or jars. And it had one potential defect – a curved split about six inches long, which would always be very obvious, whatever I used it for. A few years ago I planed the top of it with care and found a lovely surface – but again put it away, waiting for inspiration.
As happens so often, the idea dawned on me when not expected. We were up on Tyneside a couple of years ago visiting friends and walked down to The Biscuit Factory (www.thebiscuitfactory.com/), Britain’s largest arts, crafts and design gallery, where a curved walnut hall table caught my eye. It was its two shapely black steel legs which excited me most. I took a couple of photos and let the idea mature.
I soon realized however that the curving of the top was the solution to the existing split and could be extended along the length of the piece to make a new hall table at The Larches. By then I knew too that the long steel legs would be out of place. I needed an elegant solution and not a couple of L-shaped grey brackets!
A visit to see Martin our local blacksmith came up with just the answer – a D-shaped metal support under the shelf with a Δ-shaped support welded at right angles to it for fixing to the wall. A call to a local joiner friend with a heavyweight bandsaw and router got the cutting and shaping job done in half an hour.
Now that it’s in place, sanded and oiled you can see just how beautiful is this near 100 year old quarter sawn oak shelf with its light flecking, rippling across the surface from end to end. Rarely available now, because it’s too expensive to cut in this way, quartered oak became popular at the end of the 19th century. It was typically used in the Arts and Crafts movement and fits perfectly in to The Larches style.